The Oedipus Complex in Galatea 2.2 :: Galatea 2.2 Essays

The Oedipus Complex in Galatea 2.2 Helen is in love with Powers; Powers is in love with C.; C. only wants to forget about Powers. This may sound like a soap opera, but in fact it is the love triangle present in Galatea 2.2. This love triangle mirrors Freud's Oedipal Complex almost perfectly. According to this theory, Richard Powers is Helen's mother. Like a mother he created her and then taught her how to think for herself. Also in this role reversal of the Oedipal Complex, Helen assumes the role of Power's son, and C. portrays the absent father. The twisted version of the Oedipal Complex presented in Galatea 2.2 explains the interaction between Powers, Helen, and C. as that of a family, and throughout this depiction the Dialogical Method enhances this image. In the story of Oedipus he kills his father and then marries his mother. Galatea 2.2 does not present Helen as committing such an outrageous act. C.'s absence in Helen's life does mirror the absence of Oedipus' father during Oedipus' marriage to his mother. Helen never has one on one interaction with C. Her only knowledge of C. is through the love letters that Powers reads to her. It because of this that Helen begins to view C. as a hindrance to her own relationship with Powers. According to Freud, the son wishes to dispose of the father in order to have the attention of the mother solely to himself. This creates a very peculiar relationship to say the least. Of course, Powers' relationship with Helen is anything but common. She is after all a computer. He begins their relationship as her teacher. He has a mother's love for Helen because in her he sees something that he has toiled to create. Powers sounds like a parent when he speaks of Helen's singing. At one point he describes her voice as, "...an extraterrestrial warble, the way deaf people sing" (198). This does not sound like a sweet sound. The words "music to my ears" are not present in any description of Helen's singing. Powers knows that Helen cannot carry a tune, but he cannot bear to convey this message to her. He says, "I didn't have the heart to tell her how unbearable this music sounded" (235). There are very few parents that would actually inform their child about a lack of talent in a certain area.

Ryanair Business Model

MEMO To: Steven Rand From: Morgan Murphy and James Klein Subject: Response to Memo Assignement Date: February 28, 2013 Purpose: Demonstrate the similarities and differences between an article from a magazine and an article from an academic journal and apply what is learned to future learning. Summary: The areas that will be examined regarding the two articles will be; tone, vocabulary, author background, details about the airline that are included and excluded, as well as length.Using this examination we will decide how to treat academic and magazine articles from here forth. Discussion: To begin with, Ryanair is a European budget airline based out of Dublin, Ireland. They are able to keep prices low, such as a round trip ticket from Dublin to Edinburgh for $30, because of their numerous budgeting techniques. The techniques and ideas used to cut costs, such as paying to use the restroom, cause a lot of controversy amongst the consumers. Still Ryanair has one of the largest fleets in Europe and continually has its flights filled near to capacity.The question asked by these two articles is whether or not this type of business plan can last and if consumers will continue to put up with Ryanair’s budget tactics. The tone of each of the articles is the first trait noticed by the reader. The titles of each of these articles are a good indication of what the tone will be throughout the article. The Newsweek article, â€Å"Is this Any Way to Run An Airline† (Any Way to Run), puts the reader immediately in a relaxed state and almost makes the reader feel as though the author is on their side.On the other hand, the article by the International Journal of Transport Management has a more formal title suggesting to the reader that this article is more for relaying facts than opinions. This article is titled, â€Å"The Sustainability of the Ryanair Model† (Ryanair Model). The introductions for both of these articles are also very different in their tone. â€Å"Ryanair Model† uses only facts and statistics to give the reader a short background as to where Ryanair stands amongst its competitors.However, in â€Å"Any Way to Run† there is a background on the current savings techniques used by Ryanair that directly affect their customers because this article is meant to be read mainly by Ryanair customers. Going hand in hand with tone, vocabulary can also contribute to how formal or relaxed an article may sound. The type of vocabulary used in each article is used to effectively reach the targeted audience of each article. The vocabulary used in â€Å"Any Way to Run† is meant to be simple due to the fact that Newsweek is being read by a much larger audience than an academic a journal would be.There are also many more quotes by Ryanair’s CEO, Michael O’Leary, that are in fairly simple terms. An example of this would be O’Leary’s comment about fares when he stated, â€Å"You paid us a fare of $19-go away†. The other end of the spectrum is more technical vocabulary. Vocabulary that is used in â€Å"Ryanair Model† is only fully understood by economics and business professionals. In the â€Å"Ryanair Model† article, each section begins with pure statistics and facts with many terms such as net margin, industry average, deregulation etc.These terms are somewhat understood by the common reader but in order for their full meaning to be understood it would take a business professional to understand the meanings behind them. There are also many tables and charts included in this article that would make mean more to someone who is familiar with reading those kinds of statistics. The choice of vocabulary is made by the author and the background of the author can determine what kind of vocabulary they may choose to use. The article, â€Å"Any Way to Run†, was written by Daniel McGinn MBA.The academic article, â€Å"Ryanair Model†, was written by Sean Barrett PhD. While these authors are fairly similar in their qualifications for writing, Barrett, being an economics professor at Trinity College, is much more qualified to comment on qualities of business models and McGinn is much more capable of capturing the consumer perspective. After reviewing the author’s profiles it makes sense that Barrett would give the reader tremendous amounts of facts in his article and then comment on whether or not what Ryanair is doing is a good business decision, purely from an economic stand point.McGinn, being a reporter and have some knowledge on the economics behind the Ryanair model, would choose to comment only on quotes from customers and employees of Ryanair. While these authors are writing to different audiences there are still some facts about Ryanair that are included in both articles. Both the Newsweek and the Transportation Journal articles comment on Ryanair’s extensive use of the Boeing 737-800 aircraft. They both m ention how versatile an aircraft it is and how it is able to hold a large amount of passengers. Any Way to Run† goes into more depth about what it means to the consumer to have an aircraft that can hold more passengers. â€Å"Ryanair Model† on the other hand goes more in depth about how Ryanair was able to negotiate with Boeing to purchase these aircraft as cheap as they did. One of the most visible and, aside from tone, the most noticeable to the viewer is length of the article. Length is one of the main deciding factors in how much credibility is received by an article, academic or general.The length directly correlates to how many sources are cited within the article and how much information is available. â€Å"Ryanair Model† is much longer than â€Å"Any Way to Run† because academic articles need many more sources to sustain their credibility in the academic world. In â€Å"Ryanair Model† most of the length is taken up with facts and statistics about Ryanair and its competitors while opinions make up most of the â€Å"Any Way to Run† article. Action Statement: After an in depth analysis and comparison of this academic and magazine article we have realized the different intended uses for each article.From this point forward we will also keep in mind, when reading magazine articles, that they are meant to be appealing to the reader and not necessarily include all the facts about the topic. For academic articles we learned that we may not necessarily understand all the content unless we are well versed in the field that the article is written for. Going forward, if we need an in depth analysis of a specific subject we will research and use academic journals. If we need more of an overview of a topic we will use magazine articles.

Macbeth Conflicts - 1212 Words

The Conflicts in Macbeth In literature, a struggle between two opposing forces is called a conflict. Conflicts in literature move the plot along and keep the audience interested. Conflict is used by Shakespeare in almost all of his plays. He uses multiple conflicts leading to the major conflict in his plays. Conflict is introduced in the rising action, faced head on in the climax, starts to work itself out in the falling action and then is resolved in the resolution. In William Shakespeare s play, Macbeth, the various types of conflicts impact the plot internally, externally and through the supernatural, proving this play is a tragedy. Many external conflicts occur throughout the play with various characters. The first conflict is with†¦show more content†¦The Old man and Ross discuss all the unnatural things that occur such as, a falcon killing a hawk. A hawk is a bird even more powerful than the falcon. The Chain is also disrupted when Lady Macbeth excuses the guests at the banquet and says, Stand not upon the order of your going,/ But go at once (III, iv, 119-120). Instead of the guests leaving in the order of the Chain of Being, they were excused to all leave at once. The nature of the Elizabethans is disrupted causing conflict. The internal conflict that occurs is within characters. Lady Macbeth is driven to insanity dealing with her conscience. First she wishes to get rid of her woman hood so that she can commit the crime without feeling guilty, come, you spirits/ That tend on moral thoughts! Unsex me here,/ And fill me from the crown to the toe top full/ Of direst cruelty; make thick my blood,/ Stop up the access and passage to remorse (I, v, 39-43). She brings out the evil inside her. After the crimes are committed, she becomes afraid of the dark and she hallucinates a spot of blood on her. This is ironic, because when Macbeth is scared of blood on his hands, she says it comes off with water. The quilt drives her insane. The Gentlewoman gets a Doctor to aid Lady Macbeth and the Doctor says, This disease is beyond my practice (V, I, 56). She goes insane and eventually kills herself because of her guilt. Macbeth also has a conflict within himself, led by his ambition. At the beginning he battles hisShow MoreRelatedMacbeth - Conflict1586 Words   |  7 PagescenterbConflict is central to the dramatic development of any play./b/center br brPrior to deciding whether or not conflict is central to the dramatic development of MACBETH, one must consider all the dramatic factors that contribute to the Shakespearean play. The gradual decline of the protagonist , the role portrayed by characters and the order in which the events occur, greatly influence the direction in which the development of the play takes place. 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But Shakespeares artful use of it, along with the dark and striking imagery captivated audiences and its first showing and still does today, hundreds of years later. At first Macbeth struggles against his and vision and greed